Behind the Scenes at the Factory: Preparing GLUE Associates' New Summer Arrivals

Behind the Scenes at the Factory: Preparing GLUE Associates' New Summer Arrivals

Behind the scenes at the factory.

We visit several times a month to oversee upcoming releases, and last week was all about preparing the new arrivals for the weeks ahead.

Creating summer items, right in the middle of summer.

Behind the scenes at the factory — preparing new summer arrivals (1)
Garments in production for GLUE Associates' new summer arrivals (2)

Who GLUE Associates is

GLUE Associates is a Hong Kong creative label that houses three in-house clothing brands: GOC Studio, Incense Harbour and NoRo. The labels share one production approach — a premium editorial aesthetic, Japanese fabrics, and Made in Hong Kong manufacturing — and each one sits in its own lane. Incense Harbour is the original house label, workwear-leaning. GOC Studio carries the studio line. NoRo is the kids' wear label.

Everything the three brands release passes through the same production oversight, which is why these factory visits happen as often as they do.

Fabric and cut pieces laid out ahead of assembly (3)
Checking construction details on an upcoming release (4)
Detail from the GLUE Associates production floor (5)

Why we go to the factory several times a month

A lot of small labels send a tech pack and wait. We don't. Someone from GLUE Associates is on the factory floor several times a month, through the whole run, because the decisions that determine whether a garment is good are made there and not in a spec document.

Being there in person means we catch things while they can still be changed — a seam that sits wrong once it's sewn at scale, a fabric that behaves differently on the machine than it did on the roll, a fit that needs half a centimetre before the full run starts. On a sample, these are notes. On a finished production run, they are the whole batch.

It also means we can move quickly. When a release needs to shift forward or a quantity needs to change, we're already in the room.

Reviewing garments before they leave the factory (6)
Close detail of an upcoming summer piece in production (7)

Special editions from stock fabric

Not every visit is about a scheduled release. We also use the time to work with stock fabric — material the factory already holds, often in limited quantity — and turn it into special editions.

This is work that only happens in person. You have to see what's actually there and how much of it, then decide on the spot whether there's a garment in it. A roll that yields a few dozen pieces isn't a season, it's a one-off. Those limited runs are some of the most interesting things we make, and they exist because someone was in the room when the fabric was on the table.

Making summer clothes in the middle of summer

Most of the fashion industry runs a long calendar: summer collections are designed a year out, produced in winter, and shipped to stores in spring. By the time the weather actually arrives, the decisions were made twelve months earlier by someone guessing.

We work closer in. These summer pieces were being made in September, in the heat, for release in the weeks immediately ahead — not for next year. That short gap between production and shelf is deliberate, and it's one of the advantages of manufacturing close to home rather than across an ocean.

It means we can react to what's actually selling and what the weather is actually doing. In Hong Kong, summer stretches well past the point where most retail calendars have moved on to autumn. Producing in-season means our shelves match the city outside the door.

Summer garments being prepared during a September production run (8)
In-season production for GLUE Associates' summer range (9)
Finishing work on new arrivals ahead of release (10)
Quality check before garments are packed (11)

Japanese fabrics, built for Hong Kong weather

The fabric choice is where a summer garment is won or lost. GLUE Associates builds its labels around Japanese fabrics — mills with long-run consistency, and weaves that hold their hand and colour after repeated washing in a humid climate.

Hong Kong summer is not a dry heat. A cotton that feels crisp in a showroom can turn heavy and limp in August here. Choosing for this specific climate, and then checking the result on the factory floor rather than on a swatch card, is the part of the process these photos show.

Japanese fabric being worked into a summer garment (12)
Fabric handling and construction detail (13)
New arrivals ready to leave the factory (14)
The last frame from a GLUE Associates factory visit (15)

Where to find the new arrivals

Everything from this run reaches our shelves over the coming weeks. You can find GOC Studio, Incense Harbour and NoRo at:

  • PMQ S402 — 35 Aberdeen Street, Central, Hong Kong
  • PMQ S403 — 35 Aberdeen Street, Central, Hong Kong
  • Hong Kong International Airport — our airport store
  • Onlineglueassociates.hk

If you want to see the fabric in person before you buy, the PMQ shops are the place to do it. That is genuinely how most of these pieces are best judged.

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